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Daniel Minter’s installation in “Thresholds.” Photo by Daniel McMcCullough, courtesy of the Haggerty Museum of Art, Marquette University.

Portland’s Indigo Arts Alliance is highlighting recent coverage, publications and projects involving its co-founders and artists in residence, from an exhibition exploring Black cultural memory to new books about land and justice.

“Thresholds,” organized by Indigo Arts Alliance in partnership with the Haggerty Museum of Art at Marquette University, brings together work by Daniel Minter, Aisha Tandiwe Bell, Portia Cobb and Stephen Hamilton. The artists explore the depth, complexity and resilience of Black cultural memory, working at the threshold between the seen and unseen, the present and the ancestral, and the place left behind and the place arrived at.

A recent Colossal review examines Minter’s carved wooden assemblages and the ways his practice creates vessels for spiritual and ancestral knowledge. Dozens of hand brooms line the exhibition’s first gallery, transformed through a collective process of binding, weaving and layering during a July workshop at Lynden Sculpture Garden. Minter, the alliance’s co-founder and artistic director, called the sweepers a “talisman, tool, and object of remembrance.”

ARTISTS’ LEGACIES

The Joan Mitchell Foundation’s new report, “Creating Future Memory: Building the Field of Artist Legacy Stewardship,” examines how the arts field can preserve, document and carry forward artists’ stories and creative legacies. Indigo Arts Alliance co-founder Marcia Minter participated in the foundation’s May 2025 convening, joining 150 cultural workers for resource-sharing and exchange. Her comments about how larger institutions can support artists’ legacies appear on page 46 of the report.

Boston Art Review’s spring/summer Issue 16 includes “Where Bodies Gather: In Conversation with Benjamin Spalding.” The interview, conducted early this year as Spalding prepared for his solo exhibition “Go Bang!” at the Farnsworth Art Museum, explores how legacies of movement and community have shaped his practice. Spalding was a David C. Driskell Fellow in 2022 and 2025.

NEW BOOKS

In her forthcoming monograph “Does the Land Remember?” Maya Tihtiyas Attean explores the Wabanaki landscape and the relationship between land, history and identity. A 2026 mentorship artist in residence, Attean uses image-making to weave together forgotten truths and personal narratives, engaging with the land as both witness and archive.

Maya Williams, a 2025 mentorship artist in residence, is one of four coeditors of “Ground Truth: Writing Towards Justice.” The forthcoming book brings together perspectives from 40 Maine writers and activists on contemporary issues in Maine and across the nation. Contributors include Arisa White, a 2022 mentorship artist in residence, and verónica a. pérez, a 2021 David C. Driskell Fellow.

Indigo Arts Alliance connects Black and Brown artists from around the world with local artists of African descent through its residency programs, creating opportunities for critical feedback, relationship-building and the exchange of creative practices and resources.

Indigo Arts Alliance is at 60 Cove St., Portland. For more information, email info@indigoartsalliance.me or visit indigoartsalliance.me.