
The Center for Maine Contemporary Art hosts Sunday Salons, an engaging series of conversations related to current topics in contemporary art. Sunday Salons are free with admission and take place on Sundays at CMCA, 21 Winter Street, Rockland, from 3-5pm.
On April 9, Sunday Salon features artist Sam Cady in conversation with David Raymond, the Director of the McCoy Gallery at Merrimack College. Raymond and Cady will engage in an open discussion and seek to answer the question of “Is Art Magic?” and more. Audience members are invited to join the conversation and to stay after the talk for refreshments and further discussion.

Born in Boothbay Harbor, Maine, in 1943, Sam Cady has been sailing and exploring the coast of Maine his entire life. As an instructor at the School of Visual Arts in New York City, he commuted between New York and his home and studio in Friendship, Maine, where he lives today. The urban/rural divide that defined his life for so many years is evident in his subjects, ranging from highway overpasses to boats on jack stands.
David Raymond is a sculptor and painter. He has taught at Merrimack College since 1964. He has also been a visiting faculty member at Massachusetts College of Art and has served as an artist/teacher in the Master of Fine Arts program of Vermont College. In addition to being Professor of Fine Art, David Raymond was the Director of the McQuade Library Art Gallery at Merrimack College from 1972 to 1999. He became the Director of the McCoy Gallery of the new Rogers Center for the Arts at Merrimack College in 1999.
Upcoming Sunday Salons include: “Think Wrong” with graphic designer, educator, and thinker John Bielenberg on April 30; “Renewal & Form” with artist David Driskell on May 7; and “Father, Son & Piper Cub” with artist Mark Wethli and his father Ralph Wethli, on May 14.
For additional information on Sunday Salons and exhibitions at CMCA, please visit cmcanow.org.
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The Center for Maine Contemporary Art in Rockland opened its summer season May 23 with four new exhibitions and a reception in the Marilyn Moss Rockefeller Lobby. Bianca Beck presents “Eyes,” featuring new works that refuse the distinction between painting and sculpture — abstract, figure-suggesting forms in papier-mâché covered in DayGlo and jewel-toned colors that […]
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