Sylvan Gallery presents “Golden Horizons: The Sunsets and Moonrises of Paul Batch”

 

“Golden Horizons: The Sunsets and Moonrises of Paul Batch”

Sylvan Gallery is proud to present an evocative new exhibition featuring the masterful

landscape paintings of Paul Batch, on view from July 1 through July 31. The public is invited to

a reception to meet the artist on Thursday, July 31, from 4 – 7 p.m., coinciding with the evening

of the Wiscasset Art Walk. In conjunction, the gallery will also be displaying new work from its

regular roster of contemporary fine artists.

Renowned for his captivating depictions of sunrises, sunsets, and moonrises, Batch’s paintings

illuminate nature’s quiet beauty or its dramatic atmospheric effects. In “Still Waters, Rising

Moon,” at 20 x 24 inches, Batch depicts a grouping of tall, slender trees with lush green foliage

standing along the edge of a body of water. The distant moon, observed through the trees,

hangs low on the horizon, and there is a soft glow of light to the muted marsh grasses in the

foreground. The sky transitions down from warm to cool pinks to violets with a warm grey-violet

haze extending along the horizon. The water mirrors the trees and sky, and the overall feeling

that Batch achieves is one of tranquility and peace.

 

Patches of snow interspersed with browns, greens and ochres of grasses, suggest the transition

of winter to spring in “Spring Thaw,” at 18 x 24 inches. Distant bare trees are silhouetted and

warmed by the richly vibrant amber hues of the setting sun, as low grey and violet clouds move

in. These colors contrast beautifully with the vibrant cool blues of the snow, and it’s this dynamic

interplay of light and shadow, warm and cool, that makes it an exciting tour de force of color –

and profoundly moving.

“Light on the Rising Tide,” at 30 x 40 inches, is one of Batch’s two largest paintings in the

exhibition and stands as a testament to his poetic approach where one central motif evokes a

transcendent calm and exemplifies his deep connection to nature. The point of view is from a

rocky ledge looking out over the ocean at sunset. The colors of the sky inform the surrounding

environment – its palette of rose, gold, and lavender is reflected in the gentle waves of the

quietly rising tide. Through Batch’s extraordinary ability, we are witness to a world in harmony

where ordinary moments are forever captured and turned into a symphony of color and light,

emphasizing atmospheric effects over naturalistic detail.

“The Turning Season,” at 24 x 30 inches, stands out as a notable departure from Batch’s usual

focus on the golden hours of sunrise and sunset. In this painting, he depicts an autumn

landscape under the bright clarity of a crisp blue afternoon sky. It is striking that he is able to

maintain a sense of poetry, even during the clear light of the afternoon, by focusing on an

expansive sky, calm water, and fall foliage with subtle nuances of color rather than dramatic

contrast. The painting, illuminated by the brightness of the hour, has a contemplative stillness

and is imbued with emotion and grace.

Batch draws inspiration from such luminaries as George Inness, Winslow Homer, and

Rembrandt. His creative process blends plein-air sketches and photographs, combined with

much studio work. He has gained significant recognition: a Signature member of the Oil Painters

of America, award-winner in the Portrait Society of America, and featured in The Artist’s

Magazine, Fine Art Connoisseur, International Artist, Plein Air Magazine, and American Art

Collector. He was spotlighted as one of “Three to Watch” by Fine Art Connoisseur in February

2021. Beyond painting, Batch is a dedicated educator. For more than a decade, he’s taught online

workshops, Zoom demos, and mentorships covering techniques of palette selection, brushwork,

light, and composition.

A selection of new work by the gallery’s other contemporary fine artists is also on display,

including paintings of Maine coastal views by Peter Layne Arguimbau; pastels featuring children

in the landscape by Joann Ballinger; small coastal paintings by Al Barker; rural and coastal

views by Angelo Franco Jr.; florals and marine paintings by Roberta Goschke (Waldoboro);

paintings of Monhegan Island by Susannah Haney (Wiscasset); local harbor views by Neal

Hughes; still lifes by Heather Gibson-Lusk; figurative and Monhegan views by Stan Moeller

(York); local coastal scenes by Robert Noreika; small rural landscapes and coastal views by

Crista Pisano; paintings of interior scenes of Wiscasset shops by Ann Scanlan (Bristol);

paintings of colorful and intimate moments in nature by Polly Seip; watercolors of birds and

flowers by Laura Winslow; and impressionistic landscape paintings by Shirley Cean Youngs.

Paintings from the estate of the late artist Charles Kolnik will also be on view.

For more information, call Ann Scanlan at 207-882-8290 or go to www.sylvangallery.com. Also,

find Sylvan Gallery on Instagram and Facebook. The gallery is open Monday through Saturday,

11:00 a.m to 5:00 p.m., and Sunday, 11:00 a.m to 4:00 p.m. at 49 Water St., Wiscasset, Maine,

on the corner of Main Street (Route 1) and Water streets, next to Red’s Eats.

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